Ecuador Archive

Ecuador Begins: Seed Exchange, Crafts, Fair Trade and Community-based Tourism

Ecuador Begins: Seed Exchange, Crafts, Fair Trade and Community-based Tourism

Guest post by Leticia Rigatti and Ryan Luckey
ComunTierra.org

Welcome to Ecuador!

After a long drive through the sugarcane fields of the Cauca Valley, Colombia, and then passing through beautiful mountainous desert landscapes, we passed through the Colombia-Ecuador border with ease… what a pleasant surprise! Before we knew it we were driving an impressively well-maintained highway into Ecuador, just as night fell around us. The next day we drove down to Otavalo, hailed as the crafts center of Ecuador, famous for its animal and artesania markets, where by chance we found a nice campsite designed for campers and RV’s!

This is Kichwa (or Quechua) territory, a diverse people spanning the entire range of the Andes from Colombia down to Argentina. The Kichwa are descendants of the Incas, and many of their modern settlements are in areas that they have inhabited for thousands of years. While modernity has certainly arrived in the area, it’s still Indigenous land, and we have felt like we are experiencing something ancient.

During our first walk through Otavalo, we found out about a grassroots organic market, la Feria Imbabio, on Saturday mornings, organized by small-scale gardeners from the surrounding villages. Sounds like the place we have to be!

Here we are at the Feria… Leticia is sharing seeds with both market sellers and visitors. In the back on the right is Ryan’s father Paul, who is visiting from California :)

More seeds!

The Feria is completely grassroots and organized by the sellers themselves, who make decisions together about how to organize the market. While we were really delighted to find it, we were surprised to observe that besides us, not a single tourist came to the Feria, which felt like a missed opportunity both for the Feria sellers and the oblivious tourists just blocks away.

The Artesanía (Crafts) Market

Most tourists come to Otavalo for its famous artesanía market, where Ecuador’s colorful crafts are intermixed with some imported crafts from Peru, Bolivia, and even Colombia. However, the majority of items for sale are locally produced, and quite an impressive range of patterns and textures can be admired on a leisurely walk through the town.

Hammocks and ponchos above…

These are gourds that have not been painted, but actually have been burned to produce the different tones, and then the figures carved by hand with a knife.

Paintings of Otavalo and the surrounding mountains and villages

Good Examples: Community-based Tourism

After a couple days enjoying Otavalo’s markets and the indigenous faces walking through the streets, we headed out to a region West of Otavalo called Intag, home to beautiful mountains and several grassroots community tourism projects.

Community-based tourism refers to tourism projects where visitors are invited into a local community, and the local people share activities and services like food and lodging in a way that they deem harmonious with their own culture and traditions. The community members decide how and in what way tourists can interact with their communities. These projects, generally in rural areas, often involve educational projects that use local materials and resources to create an economic base for the local community, while teaching a practical skill to the visitors.

We visited two such projects in the Intag region, each run by women, and based on the artesanal transformation of local and sustainably grown materials into marketable goods.

The first project we visited is located in the small community of El Rosal, where a women-run cooperative produces natural products based on Aloe Vera grown in their gardens.

“Welcome to El Rosal, home to friendly, happy and enterprising people where nature caresses your senses.”

The cooperative was created by a partnership with a Spanish foundation 10 years ago. In a village of 11 families, 10 women have participated over the years in producing soaps, shampoos, creams and lotions based on Aloe Vera combined with other local plants. The products use the minimum quantity of processed ingredients.

Leonila walked us through the process of harvesting and preparing the Aloe for soap and shampoo production.

The cooperative is creating an alternative small-business model for local communities out of a locally and organically grown crop, the Aloe Vera. At the same time, the women are empowered through their own creative process, and through managing and making a small salary, which for women in rural Ecuadorian communities is rare.

After learning about the soaps and buying a few for our house, we took a quick tour around Leonila’s gardens, which were surprisingly diverse… there is clearly an intuitive permaculturalist in the family.
We found the experience to be a clear example of not only how this type of project can benefit the local community through healthy and small scale economic stimulation, but also how rich an experience it can for the visitors, both in learning a new skill, and in forming a relationship with their hosts. Gracias Leonila and El Rosal!

Cabuya (Maguey) Artesania in Plaza Gutierrez

In Plaza Gutierrez, a couple hours away, there is another community-based tourism project centered around two women’s run cooperatives, this time processing and producing artesania from the Cabuya or Maguey cactus. The Mujer y Medio Ambiente (Woman and Environment) and Flor de Choco (Choco Flower) cooperatives cultivate the Cabuya around the town and surrounding hills, and rotate harvests in different areas to ensure they always have a crop. The Cabuya passes through several steps to be processed into the final product…

One of our hosts Vulma shows us the first steps in preparing the Cabuya

After being partially skinned by hand, the Cabuya is passed through a machine that seperates the fibers into strips, which are then put out to dry in the sun as seen in the photo below:

During our visit we found the town’s soccer field full of Cabuya harvested just the day before…

Paul and Leticia take a closer look…

Once dry, the Cabuya is died using natural plant dyes from the area, and then passed to another village where it is processed into a type of string and then brought back to Plaza Gutierrez, where the women weave it into beautiful bags, hats, belts, placemats, table pieces, floor mats, etc…

Here’s Leticia with 6 women of the cooperative, sporting her new Cabuya hat!

In the case of the Cabuya cooperatives, no external funding was used to start the project. The women began with the help of a friend who trained them, and little by little by investing their time and energy into the work, and now their business is growing. The cooperative now incorporates 43 women from Plaza Gutierrez and a couple of the towns closeby.

We are currently coordinating to see if we can return to Plaza Gutierrez to film all the steps of production and share this wonderful work with the world.

For more information about community-based tourism in Intag, or to arrange a visit to these communities, visit the office of La Casa de Intag in Otavalo.

It is heartening to find these organizations forming in small isolated communities here in Ecuador. What better way to do tourism than to build relationships with local communities while learning skills that promote self-sufficiency and sustainability?

We’ll keep you posted with other good examples we find in the coming months…
For now, blessings from Ecuador! Paz -

Ryan and Leti

Chevron’s new tactic called a threat to First Amendment

Chevron’s new tactic called a threat to First Amendment

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An Amazonian community’s fifteen-year battle with Chevron is entering dangerous waters with the Chevron request for all of the 600 hours of unused footage from the filming of “Crude: The Real Price of Oil”.

The movie documented the environmental disaster left behind by Chevron-Texaco in an indigenous community of Ecuador, and the battle by Ecuadorian attorney Pablo Fajardo and others to force the company to clean up its mess and make reparations to the community. Readers may remember my post when the film came out,Crude: The Movie Chevron Doesn’t Want You to See.”

Now Chevron is appealing a court order to pay the community millions of dollars in reparations, and it wants to see whether director Joe Berlinger’s raw footage contains any material that could bolster its defense. Now the company has asked a federal judge in New York to force Berlinger to hand over his footage.

“Documentary filmmakers play an essential role in exposing social injustice,” said Berlinger in a press release I received yesterday alerting me to the case. “As with traditional journalists, their sources must be protected or we risk the demise of this kind of comprehensive investigative reporting.”

As a journalist, this request sent a chill up my spine. One of the things we count on as reporters is the ability to protect our sources from danger or harassment that may come to them as a result of sharing information with us. Without the ability to promise confidentiality, there’s a “chilling effect” that occurs, and sources are less willing to share information.

“Unused film footage and other editorial materials from Crude are protected by the journalist’s
privilege under federal law and the First Amendment,” said Maura Wogan of Frankfurt Kurnit, the
lawyers for Mr. Berlinger and his production company. “We will vigorously oppose Chevron’s
attempt to get to these materials.”

Let’s hope they are successful. Meanwhile, I’m going to take full advantage of the opportunity to plug “Crude, The Movie,” which is now available on DVD from First Run Features and Netflix. If you haven’t seen it yet, put it on your must-see list. You won’t regret it.

Crude, The Movie Chevron doesn’t want you to see

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Crude_Still_4
Like most of his friends and neighbors in the Amazon village where he was born, Pablo Fajardo went to work for Texaco at an early age. But unlike most of his coworkers, he was unwilling to disregard the flagrant abuses of the land and people that he witnessed every day on the job.

He made up his mind to become a lawyer, and now he’s the lead attorney representing 30,000 Amazonian citizens in a class-action suit that is now entering its 15th year. It’s that battle that’s at the heart of Joe Berlinger’s stunning new documentary, “Crude.”

I’d already read the infuriating story of Chevron-Texaco’s contamination of millions of acres of Amazon rainforest, and one man’s battle to bring them to justice, in Vanity Fair’s May 2007 Green Edition. But Berlinger’s film brings this story to life in a way that written words cannot. CNN’s Christiane Amanpour calls the movie “an extraordinary merging of journalism and art.” I couldn’t have said it better myself.

The movie opened last night in Houston, the home base of Texaco, now Chevron, and I joined a the Emerging Green Builders group in watching the Houston premeire. Scenes of the movie were filmed at the Chevron building just 10 blocks from where we sat, as Fajardo and an indigenous family braced themselves to go inside and present their case.

“You have been in our territory for 28 years; now I ask just three minutes of your time,” the tribesman said to his adversaries.

Now I ask three minutes of your time to watch the trailer…. and then I think you’ll agree that this movie belongs on your must-see list.

Ecuador: Pay up to protect oil-rich rainforest

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Can Ecuador’s innovative pay-to-protect plan work to save the endangered Yasuni National Forest? It’s an innovative approach, and one that deserves a closer look as the climate talks in Copenhagen approach.

Here’s an excerpt from an excellent writeup by Jeremy Hance of Monga Bay:
Yasuni National Park
Yasuni National Park in Ecuador. Photo by Matt Finer © Save America’s Forests.

Will Ecuador’s plan to raise money for not drilling oil in the Amazon succeed?

Ecuador’s Yasuni National Park is full of wealth: it is one of the richest places on earth in terms of biodiversity; it is home to the indigenous Waorani people, as well as several uncontacted tribes; and the park’s forest and soil provides a massive carbon sink.

However, Yasuni National Park also sits on wealth of a different kind: one billion barrels of oil remain locked under the pristine rainforest. While drilling for oil has brought huge profits–the commodity is Ecuador’s top export–it has also brought environmental destruction and conflicts with indigenous groups, including a legal one between several tribes and Chevron highlighted by the new film Crude.

Read more here, and while you’re at it, I encourage you to check out Monga Bay’s beautiful and informative website.